On Alive with Clive: With Prolific Poetry, Majestic Melodies and Stimulating Self-Expression Mike O’Malley + Beastie Band Shines a Spotlight on Toxic Masculinity and Other Intriguing Aspects of the Human Experience!

If you like bands that cause you to sit up, pay attention, feel invigorated and think about life in new ways, you’ll most definitely love Mike O’Malley + Beastie Band!

Mike O'Malley + Beastie Band on Alive with Clive, 1st of 2 Shows

With energetic, engaging, erudite and eloquent frontman, Mike O’Malley, at the helm on bouzouki, accompanied by vocalist Cassondra Alvord and oboist Katie Garringer, also accomplished singer-songwriters in their own right, and bassist Sam Weber, you have a band that is truly extraordinary!

From Mike O’Malley + Beastie Band — a collision of chamber folk’s sweeping arrangements, punk’s ragged vigor, and Irish Trad’s rollicking pulse — expect searing harmonies, unusual instrumentation, and catharsis.

To date, Mike O’Malley + Beastie Band has released the EP, Growlers, with five songs and its earlier album, Beastie, with ten songs.

Mike O'Malley playing bouzouki with Beastie Band on Alive with Clive

As noted on the band’s Web site, “Growlers takes aim at toxic masculinity in four of its awful incarnations.”

If “toxic masculinity” is a term with which you are not yet familiar, or if you’d like to gain a more comprehensive grasp of its meaning, as reported in Wikipedia:

“[T]oxic masculinity is [defined by Terry Kupers, a professor at The Wright Institute School of Psychology] explicitly as ‘the constellation of socially regressive male traits that serve to foster domination, the devaluation of women, homophobia and wanton violence. According to Kupers, toxic masculinity serves to outline aspects of hegemonic masculinity that are socially destructive, ‘such as misogyny, homophobia, greed, and violent domination.’ These traits are contrasted with more positive aspects of hegemonic masculinity such as ‘pride in [one’s] ability to win at sports, to maintain solidarity with a friend, to succeed at work, or to provide for [one’s] family.’ The concept of toxic masculinity is not intended to demonize men or male attributes, but rather to emphasize the harmful effects of conformity to certain traditional masculine ideal behaviors such as dominance, self-reliance, and competition.”

With this context in mind, you are now appropriately equipped to appreciate the subtle poetic nuances inherent in the lyrics of the songs on Growlers, three of which were performed in Mike O’Malley + Beastie Band’s 1st of 2 Shows on Alive with Clive.

The songs performed in the band’s 2nd Show, as well as “Garden” in the 1st Show, are from the band’s album, Beastie.

The eight songs were performed in the band’s two shows on Alive with Clive as follows:

1st Show
2nd Show
  1. “Kindling Enough”
  2. “Goblin”
  3. “Up the Ghost”
  4. “Garden”
    1. “Golem”
    2. “Come Low”
    3. “Lost You Well”
    4. “Eat!”

In the 1st Show:

  • “The governing anxiety of Growlers is whether there is lurking inside of every cis male a ravenous monster, and I don’t think that because I’m not big on essentialism, but I don’t begrudge anybody thinking that lately given the abounding evidence, so yeah, [“Kindling Enough”] was my first interrogation of that monster.” ~ Mike O’Malley
  • “Goblin,” in Mike’s words, is about “the gentle but distinct depression that comes with privilege.”
  • “Up the Ghost,” Mike said, is “a rageful shout at the bro…. Probably no one is fully a bro, it’s more like a disease that takes hold, but it feels like it’s running rampant lately, or since the dawn of modern time.”
  • “Garden” is about being in a place with someone for too long, and realizing that it is time to move on.

“Oh I try, lord, to track
Try to chart you in packs
But, in fact, you’re too many to spot
Out of cars, bars, and banks
Every door swells your ranks
When they’re open, and when are they not?” from “Up the Ghost”

Mike O'Malley + Beastie Band on Alive with Clive, 2nd of 2 Shows

In the 2nd Show:

  • “Golem” – a song of vanity in which the mythical beast, Golem, is mixed as a metaphor to represent a desire for an ex to still think about you fondly from time to time;
  • “Come Low” is described by the director of the music video for the song as “advice for the living from the dead”;
  • “Lost You Well,” inspired by the poem, “Well, I Have Lost You” by Edna St. Vincent Millay, is about a relationship that needed to end and an accompanying iota of regret after its demise; and
  • “Eat!” is about the “joys” of being a waiter in a French restaurant with a clientele that vehemently made demands to satisfy specific obscure persnickety tastes.

“It was done with class
With sensitivity and with panache
But – darling – don’t take it from me
Any critic, they’d agree
I lost you well” ~ from “Lost You Well”

With lyrics fit for exploration in English Literature classes at Ivy League schools and marvelous melodies to match, Mike O’Malley + Beastie Band needs to be experienced by all who appreciate bold, creative and innovative self-expression through songs in the band’s 1st Show and 2nd Show on Alive with Clive!

Best regards.


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